Lyriktribute to Anzu & Pina (Satis Shroff)
Aurora borealis (Satis Shroff)
The sky was bathed
In fantastic hues:
Yellow, orange, scarlet
Mauve and cobalt blue.
Buto dancing,
In this surreal light,
On the stage,
Was magnificent.
Your heart pounds higher,
Your feet become light,
Your body sways
To the rhythm
And Nordic lights
Of the Aurora borealis.
Akin to the creation
Of the planet we live in.
And here was I,
Anzu Furukawa.
Once a small ballet dancer,
Now a full grown woman:
A choreographer, performer,
Ballet and modern dancer,
Studio pianist.
‘The Pina Bausch of Tokyo’
Wrote a German critic
In Der Tagesspiegel.
Success was my name,
In Japan, Germany, Italy,
Finnland and Ghana:
Anzu’s Animal Atlas,
Cells of Apple,
Faust II,
Rent-a-body,
The Detective of China,
A Diamond as big as the Ritz.
I was a professor
Of performing arts in Germany.
But Buto became my passion.
Buto was born amid upheavals in Japan,
When students took to the streets,
With performance acts and agit props.
Buto, this new violent dance of anarchy,
Cut off from the traditions
Of Japanese dance.
Ach,
The Kuopio Music et Dance festival
Praised my L’Arrache-coer,’
The Heart Snatcher.
A touching praise
To human imagination,
And the human ability
To feel even the most surprising emotions
I lived my life with dignity,
But the doctors said
I was very, very sick.
I had terminal tongue cancer.
I’d been sleeping over thirty hours,
And stopped breathing
In peace,
With my two lovely children
Holding my hands.
I’d danced
At the Freiburg New Dance Festival
Only twenty days ago.
I saw the curtain falling,
As we took our bows.
I bow to you my audience,
I hear your applause.
The sound of your applause
Accompanies me
Where ever my soul goes.
I’m still a little girl
In an oversized dress.
I ran through you all
In such a hurry.
* * *
Poetry and Dance (Satis Shroff)
Her images were unusual,
Shocking to some.
Dancers
Jeering and tormenting
Other dancers.
Dancers
Throwing ripe tomatoes
At each other.
Instead of the bastinado,
Lighters held on the soles
Of other dancers.
Women were women
And men were men,
In Pina’s world.
No melange
Of oestrogens and testosterons,
No X and Y
Chromosomes.
Her women wore scarlet lips,
You were tormented with ballet:
Adagio, flips and turns,
Carried out rigorously.
In the ‘Rite of Spring’
The dancers were covered with soil.
In ‘1980’ there was a lawn.
In ‘Carnations’ the Nelken were crushed
On stage.
In ‘Palermo, Palermo’
A tall wall fell apart.
That was Pina Bausch live.
We’ll miss the facial muscles
Of her performers,
Her own dance choreography,
Warning us all
To stop ruining the Umwelt
Of this precious planet.
A high priestess,
A courageous stage poet,
Who threw constantly
Challenges,
With her mute, energetic
Choreography.
The poetess is gone.
What remains are her images,
Long after the dancers
With their flailing hands,
Have vanished into oblivion.
A numbness lingers
At the Tanztheater Wuppertal.
Exit Pina Bausch
At the age of 68.
* * *
About the Author:
Satis Shroff is a prolific writer and teaches Creative Writing at the Albert Ludwig University of Freiburg. http://www.zfs.uni-freiburg.de/zfs/dozent/lehrbeauftragte4/index_html/#shroff. He is a lecturer, poet and writer and the published author of five books: Im Schatten des Himalaya (book of poems in German), Through Nepalese Eyes (travelogue), Katmandu, Katmandu (poetry and prose anthology by Nepalese authors, edited by Satis Shroff), and two language books on the Nepalese language for DSE (Deutsche Stiftung für Entwicklungsdienst) & Horlemannverlag. He has written three feature articles in the Munich-based Nelles Verlag’s ‘Nepal’ on the Himalayan Kingdom’s Gurkhas, sacred mountains and Nepalese symbols and on Hinduism in ‘Nepal: Myths & Realities (Book Faith India) and his poem ‘Mental Molotovs’ was published in epd-Entwicklungsdienst (Frankfurt). His lyrical works have been published in literary poetry sites: Slow Trains, International Zeitschrift, World Poetry Society (WPS), New Writing North, Muses Review, The Megaphone, Pen Himalaya, Interpoetry. He is a member of “Writers of Peace,” poets, essayists, novelists (PEN), World Poetry Society (WPS) and The Asian Writer.
Satis Shroff is based in Freiburg (poems, fiction, non-fiction) and also writes on ecological, ethno-medical, culture-ethnological themes. He has studied Zoology and Botany in Nepal, Medicine and Social Sciences in Germany and Creative Writing in Freiburg and the United Kingdom. He describes himself as a mediator between western and eastern cultures and sees his future as a writer and poet. Since literature is one of the most important means of cross-cultural learning, he is dedicated to promoting and creating awareness for Creative Writing and transcultural togetherness in his writings, and in preserving an attitude of Miteinander in this world. He lectures in Basle (Switzerland) and in Germany at the Academy for Medical Professions (University Klinikum Freiburg) and the Center for Key Qualifications (University of Freiburg, where he is a Lehrbeauftragter for Creative Writing). Satis Shroff was awarded the German Academic Exchange Prize.
What others have said about the author:
„Die Schilderungen von Satis Shroff in ‘Through Nepalese Eyes’ sind faszinierend und geben uns die Möglichkeit, unsere Welt mit neuen Augen zu sehen.“ (Alice Grünfelder von Unionsverlag / Limmat Verlag, Zürich).
Satis Shroff writes with intelligence, wit and grace. (Bruce Dobler, Associate Professor in Creative Writing MFA, University of Iowa).
‘Satis Shroff writes political poetry, about the war in Nepal, the sad fate of the Nepalese people, the emergence of neo-fascism in Germany. His bicultural perspective makes his poems rich, full of awe and at the same time heartbreakingly sad. I writing ‘home,’ he not only returns to his country of origin time and again, he also carries the fate of his people to readers in the West, and his task of writing thus is also a very important one in political terms. His true gift is to invent Nepalese metaphors and make them accessible to the West through his poetry.’ (Sandra Sigel, Writer, Germany).
“I was extremely delighted with Satis Shroff’s work. Many people write poetry for years and never obtain the level of artistry that is present in his work. He is an elite poet with an undying passion for poetry.” Nigel Hillary, Publisher, Poetry Division - Noble House U.K.
© 2009, Satis Shroff. You may republish this article online provided you keep the byline, the author's note, and the active hyperlinks.
Wednesday, September 16, 2009
Pina Bausch, Anzu Furukawa and Aurora borealis (Satis Shroff)
Labels:
Anzu Furukawa,
black forest,
dance theatre,
Germany,
Japan,
Kyoto,
Pina Bausch,
satisshroff,
schwarzwald,
Wüppertal
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